Vintage car parked under motel sign in the Californian desert.
Sandy path cuts through tall beach grass under cloudy sky.
White boats rest in overgrown grass below weathered wooden buildings.
Man sits alone on waterfront looking toward ferry and distant buildings in Istanbul.
Church dome rises behind diagonal white wall and cobblestone street.
Ornate iron window grill framed by open wooden shutters.
Brooklyn Bridge tower looms over wet street with two figures walking.
Decorated tram front reflects ornate church facade in Porto.
Ruined coastal building overlooks ocean from rocky cliff.
Empty restaurant table faces Venice skyline across choppy water.
Ancient standing stones with carved holes stand in grassy field.

Lem (Lem's Garage) photographs architecture and open space with equal attention to composition. His black and white medium format work spans California motels, Lisbon's geometric walls, Istanbul's Bosphorus and Scottish standing stones—subjects that share formal clarity more than thematic connection. He photographs buildings from angles that emphasize structure and landscapes that read as studies in horizon lines and negative space. The work is methodical; Lemarchand finds beauty in how light divides frame space rather than what that light illuminates. Medium format–shot using his 60s-era Rolleiflex and Bronica S2–gives him room to let subjects breathe within frames. These images serve as evidence that restraint produces more compelling travel photography than spectacle.

Shot With
Bronica S2, Rolleiflex and Ilford HP5 Plus, Ilford PAN F.