






Most film photographers wait for soft light but Daniel went straight into midday sun on the Aegean coast. Boats anchored in bays, grapevines on trellises, cats lounging on concrete, coastal villages tucked into rocky hillsides—all on expired Acros 100. The harsh light pulls out textures and ensures sharpness. No mood lighting, no romanticism. Just Greece in black and white, laid bare.
Follow his work on Flickr.

